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August 05, May 14, Previous Next. Submitted by nonesuch. New Music. Release Date:. Wednesday, May 1, - Cover Art:. Nonesuch Selection Number:. Number of Discs in Set:. Album Status:. You can download them as many times as you like.

Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. The great Dutch conductor who died recently at the venerable age of 92 proved the old adage wrong. He is one of the hottest names on the North-American music scene. Born in , Bates is a symphonic and lyrical composer as well as an electro DJ under the alias DJ Masonic — two completely opposing genres which he takes great delight in mixing. Around half of his symphonic and lyrical work consists, in one way or another, of electronic sounds.

On the release date of his brilliant opera The R evolution of Steve Jobs, Qobuz interviewed this extraordinary person.

A flourishing discography allows us to discover the diversity of his music: instrumental, vocal, religious, and lyrical. Categories: All Back. Cart 0 Your cart is empty. Available in Bit CD Quality Unlimited Streaming Listen to this album in high quality now on our apps Start my trial period and start listening to this album. In this first book-length study in English, Pwyll ap Silaces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated.

Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types.

These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms.

He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them. When did it end?

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