Roland gr 55 patch list

Honing his craft while playing in Manhattan, Stevens recorded an unreleased album with his band, Fine Malibus, and also played as a session guitarist. Best known as the ripping, sweep-picking lead guitarist for the Seattle-based band Nevermore, Jeff Loomis is a self-taught guitar player who got his start by winning the Guitar Wars contest in Wisconsin at the age of He eventually joined Sanctuary, only to have the band break up four months later, which led Jeff and two other ex-Sanctuary members to form Nevermore in A native of Texas currently living in Barcelona, Spain, Gary Willis is one of the most respected and influential bass players and instructors in the world.

He started on guitar and bass, but switched to bass full time while studying arranging and improvisation in the legendary jazz program at North Texas State University. After moving to Los Angeles in , Gary became a course leader at Musicians Institute in Hollywood, and also taught at the prestigious California Institute of the Arts.

The GR conveniently bridges the guitarist to the desktop music production world with its two USB ports. GR Librarian is a software that allows you to manage Sound patches in the GR with your computer.

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The bowed PCM tone is very sensitive to pitch tracking read: glitching and triggers better played in the upper registered and then octave shifted down, in my opinion. Read more here. Two different live PCM patches played totally live against a simple Addictive Drums factory beat arrangement.

Showcases the GR tracking setup using a bass guitar strung piccolo in GR guitar mode. Also showcases my intermediate playing skills. Drums by Addictive Drums. Dual PCM with one sent through amp sim, the other through MFX beat synced and input triggered slicer for cool evolving decay that sounds totally, at least in my opinion, like a sequenced synth. You definitely lose playing speed with mono triggering, at least when jumping strings.

But otherwise it's a breath of freedom not being tethered by a GK-3B pickup and controller. Dual-PCM patch setup with a string split. Low strings trigger a bass synth into a beat synced slicer, which ends up sounding like a delay due to the decay of the synth tone. High strings are a basic synth lead type sound into delay.

Synth parts are played totally live which is the benefit of a string split using the GK-3B. As you can hear I personally lack the performance and timing skills necessary to keep tightly synced to a bpm percussion track but it's probably good practice for me to keep trying. My entire patch list to date. What you'll see is a variety of generically named patches in the beginning that are single voiced building block patches I think typically leverage from to create more custom patches which you'll recognize by their less generic names.

Some of these are likely duplicates of patches shared above, some of the building block patches have a -6 low-mid EQ applied which I tried to correct but I'm guessing I missed that in some of the patches. Last updated